Grove Music can be found within the Oxford Music Online database.
Please note that the links above are only a selection of what NIU provides (A-Z list), and what open sources are available. Please see the Music Librarian for additional help.
Please note that the links above are only a selection of what NIU provides (A-Z list), and what open sources are available. Please see the Music Librarian for additional help.
Please note that the links above are only a selection of what NIU provides (A-Z list), and what open sources are available. Please see the Music Librarian for additional help.
Please note that the links above are only a selection of what NIU provides (A-Z list), and what open access sites are available. Please see the Music Librarian for additional help.
Baker's Dictionary of Music by
"Baker's Dictionary of Music" is an A to Z listing of musicians, famous compositions, musical terms and instruments. "Baker's Dictionary of Music" covers everything from Bach to rock music. Illustrated with more than 125 photographs and drawings, including in-depth essays on musical topics and an introduction to musical terminology makes this "Dictionary" essential for all music libraries.
The Garland Encyclopedia of World Music by
Explores key themes in African music that have emerged in recent years-a subject usually neglected in country-by-country coverage emphasizes the contexts of musical performance-unlike studies that offer static interpretations isolated from other performing traditions presents the fresh insights and analyses of musicologists and anthropologists of diverse national origins-African, Asian, European, and American Charts the flow and influence of music. The Encyclopedia also charts the musical interchanges that followed the movement of people and ideas across the continent, including: cross-regional musical influences throughout Africa * Islam and its effect on African music * spread of guitar music * Kru mariners of Liberia * Latin American influences on African music * musical interchanges in local contexts * crossovers between popular and traditional practices. Audio CD included. Also includes nine maps and 96 music examples.
The Harvard Dictionary of Music by
A standard, desk-size comprehensive dictionary. The Harvard Dictionary of Music is the single most indispensable reference work for musicians, students of music, and music lovers. Seventy scholars have contributed nearly 6000 specially commissioned entries to produce what is simply the best one-volume music dictionary available today.
The New Grove Dictionary of American Music by
The New Grove Dictionary of American Music is the most comprehensive and enlightening history of America's musical heritage ever published. American Grove is focused solely on the unique styles and traditions of American music. It covers popular musical forms such as country, rock, pop, soul, folk, blues, jazz, bluegrass, and big band. It explores America's vibrant classical heritage--from colonial times to John Cage--and also provides substantial articles on the traditional music of diverse cultures such as Native Americans, Jewish Americans, and Islamic Americans. The Dictionary investigates the social, cultural, and historical forces that shaped our distinctive musical identity--from the Civil War to the impact of pop culture...the rise of technology to the plurality of religions...from the supremacy of film to the evolution of the civil rights movement. The New Grove Dictionary of American Music includes: · 3,500 biographies of significant composers, performers, singer-songwriters, impresarios, conductors, writers, producers, publishers and patrons--including foreign-born musicians who settled in America · Entries on American cities as diverse as Miami, New Orleans, Nashville, Los Angeles, and Anchorage · Wide-ranging survey articles on specialized forms of music including patriotic music, film music, vaudeville, and early music revival · Ground-breaking articles on general topics such as copyright, broadcasting, music therapy, and education · Comprehensive listings of music libraries, societies, institutions, periodicals, discographies, festivals, and awards
The New Grove Dictionary of Jazz by
The New Grove Dictionary of Jazz, second edition is the largest, most comprehensive and accurate reference work on jazz ever published, putting the world of jazz at your fingertips. With articles on every aspect of the field, from jazz groups, composers and arrangers to instruments, terms,record labels and venues, the new edition is the ideal companion for scholars and enthusiasts in this rapidly growing field.The New Grove Dictionary of Jazz, second edition is unique:* No other title covers jazz to this extent across all forms and styles* The only way to be completely up-to-date with the full scope of writing in this field* Provides new perspectives to established areas of study--musicology, film and media, American studies, modern social history, women's studies and cultural studies, to name a few* Offers a one-stop resource to all the key names in the jazz world
The New Grove Dictionary of Musical Instruments by
The New Grove Dictionary of Musical Instruments is the definitive guide to over 12,000 musical instruments from around the world. It encompasses western, non-western, and developing-world cultures, and includes classical, folk, and popular music. It also covers instruments of all ages--from the ancient water organ to the synthesizer. The Dictionary describes each instrument individually and in the context of instrument families. It charts the history, development, musical function, and inter-cultural links of each instrument as well as its construction, performance practice and technique. The New Grove Dictionary also explores the cultures and societies that have created these instruments and the various non-musical functions of certain instruments. The New Grove Dictionary of Musical Instruments includes: · Unprecedented coverage of Western musical instruments--from early European instruments, to the development of the organ and the violin, and continuing into the twentieth century with computers and synthesizers · 6,000 articles on non-western developing-world and folk instruments · Detailed catalogs of the world's private and public instrument collections, a survey of forgery, and a study of restoration and maintenance techniques · Articles on performance practice and technique--such as tuning, ornamentation, fingering and improvisation · Biographies of instrument makers--from the Greek inventor Ctesibius to the violin makers of Italy to today's manufacturing giants
The New Grove Dictionary of Music and Musicians by
The New Grove Dictionary of Music and Musicians is an authority on all aspects of music. It is widely used by academics and the professional community. First published in 1980, it is a successor to the five-volume Dictionary of Music and Musicians edited by Sir George Grove in 1878-83.
The New Grove Dictionary of Opera by
Incorporating a decade of musicological research, the Dictionary is unsurpassed in its scope and quality, with contributions from over 1,300 of the world's leading critics and scholars. A remarkable 11,000 articles, all fully cross-referenced, create a work that has become established as the essential opera reference. Indeed, every aspect of this varied art form is covered: composers, conductors, directors, performers, librettists, literary sources, cities and countries, operatic historians, and opera genres and terminology. · Over 1800 operas are discussed from the late 16th century Florentine Camerata, through the great 18th and 19th century operas, to contemporary works such as the minimalist theatre pieces of Philip Glass · The lives and careers of over 2900 composers are discussed in depth, with entries containing critical assessments as well as discussion of their individual careers and major achievements · Profiles of every singer who has made a significant contribution to opera are included, from Francesco Rasi in the 1600s to Luciano Pavarotti in the 1990s · Two unrivaled indices of character names and arias make it the most useful and user-friendly opera dictionary available · Illustrated throughout with rare photographs, reproductions of original posters, set and costume designs, and scenes from recent performances
The Norton-Grove Dictionary of Woman Composers by
The few in earlier times who gained some renown were as often as not the sisters, daughters, wives, or muses of well-known men--the surnames of Fanny Mendelssohn and Clara Schumann speak for themselves. Even with the present-day increase in their number, women composers have largely failed to draw the attention of the public.In recognition of these nearly invisible yet greatly talented musicians, Julie Anne Sadie and Rhian Samuel have brought together an international corps of experts to produce The Norton/Grove Dictionary of Women Composers. This definitive source provides detailed biographies of more than 1,000 creators of Western classical music. In signed articles, the Dictionary chronicles the lives and works of women composers from all corners of the world. Here you can read about the Medieval mystic Hildgard von Bingen, the Renaissance madrigalist Maddalena Casulana, the flamboyant seventeenth-century vocal composer Barbara Strozzi, the prolific New Englander Amy Beach, and the Pulitzer Prize winner Ellen Taaffe Zwilich.
The Oxford Dictionary of Music by
The Oxford Dictionary of Music is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - covering musical subjects of all kinds in an authoritative and accessible way. There areentries on composers, performers, conductors, musical terms and forms, instruments, works, venues, and a host of other topics.There are 5,000 entries on composers, most with worklists that have now been brought right up to date. The entries on conductors and performers, which include contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Kathleen Battle, Marilyn Horne, Sumi Jo, Trevor Pinnock, SimonRattle, Bryn Terfel, Michael Tilson Thomas, have also been updated. There are entries on directors and critics, producers and designers of international repute from across the centuries, on writers and scholars, and on musical journals and other publications.There are entries on individual works, including operas and ballets, on orchestras and companies from around the world, and on famous opera houses, concert-halls, and musical festivals, including Salzburg and Edinburgh. Musical terms and styles such as musique concrete, chromaticism, and tutti, andforms ranging from operatic, vocal, and film scores, to song cycles, chamber, hymns, barbershop, and oratorios are covered, as are general themes such as musicology, acoustics, and absolute pitch, and historical periods such as the Byzantine era. Finally come instruments from the familiar - strings,wind, and brass - to the less familiar - aeolian harp, bamboula and sackbut.
Guide to Library Research in Music by
A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Pauline Shaw Bayne has cleanly organized the material in three succinct parts, allowing for three independent tracks of study. Part I treats essentials of the research process. It explains starting point resources like library catalogs, dictionaries, and bibliographies; addresses scholarly documentation, the use of style manuals, and basics of copyright; and provides samples of common written research products. Part 2 develops skills and strategies for library and Internet-based research, describing database structures and library catalogs, subject searching in catalogs and journal indexes, keyword searching techniques, related-record searching and citation databases, and the use of experts, the Internet, and thematic catalogs. In Part 3, Bayne describes music uniform titles and select resources that follow the organization of a music library, such as score collections, books and journals in music literature, and music teaching publications. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.
Music in Words by
Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is awriting guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of theinternet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volumegives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format.This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links tokey resources
Music Library and Research Skills by
Jane Gottlieb provides an introductory text for courses in music research, methodology and librarianship. She introduces basic concepts in conducting research, provides sources and shows students how to synthesise their research.
Music Reference and Research Materials by
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
Music Research by
Clear, concise, and practical, Music Research: A Handbook, Second Edition, introduces students to the major print and electronic research tools available today. With a strong focus on the connection between music and writing, this comprehensive guide is ideal for use in both undergraduate and graduate music courses that require students to engage in library research or to write research papers. FEATURES Rich pedagogy (evaluation checklists, guidelines for theses, appendices on major documentation styles, Library of Congress subject headings/call numbers, annotated bibliographies, and more) Expanded overview of the research process and various methodologies Updated chapter on online music content and more integrated coverage of Internet resources Updated companion website (www.oup.com/us/musresearch) containing related links, updates to bibliographies and readings, research tools listed by composer, and lists of core music journals and major professional music associations
Sourcebook for Research in Music, Third Edition by
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
A Short Guide to Writing about Music by
Written in a clear and conversational style, A Short Guide to Writing About Music,2e examines a wide range of writing assignments for music courses at all levels of the undergraduate curriculum. Employing a variety of writing samples as a means to illustrate effective writing, this brief and inexpensive text teaches writers how to deftly research and write about music.
A Style and Usage Guide to Writing about Music by
In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively.While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.
Writing about Music by
How do you spell "Mendelssohn"? Where do you place the hyphen in "Beethoven" if it breaks between two lines? Is it "premiere" or "premi#65533;re"? The answers and much more can be found in this completely revised and updated resource for authors, students, editors, concert producers--anyone who deals with classical music in print. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements for submitting manuscripts and electronic files. A new section outlines best practices for student writers. An appendix lists common problem words.
Music in Words by
Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.
Sourcebook for Research in Music, Third Edition by
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
